Did The Red One Be The First 4k Camera Ever Made

Red Digital Cinema cameras started a revolution in the pic and video world when they were introduced in 2007. They entered a market that was completely dominated by the old guards at Panasonic, Sony, and Canon who offered nothing comparable to the original Red One.

The features were unheard of, the image quality and size was insane, and the low price left a lot of people's jaws on the floor. Upwardly to this point, filmmakers were used to paying upwards of $100,000 for a camera packet that in some senses were as powerful as a modern 24-hour interval iPhone.

Red fabricated a lot of people autumn in honey with them dorsum then, and as a market leader today they're still playing Penelope Pussycat to the eager Pepé Le Pew DPs out in that location with their top notch tech and great looking images.

Simply what is it about these Ruby-red Cameras that accept had so many people falling in love?

Have a look/heed to the mix tape Nick Sales has put together near why he is crazy about his Red Cinema Camera., and recollect when the feeling is correct, don't be afraid to dive right in and see where things lead.

But like anyone in a new romance, I tin't restrain myself from all of the corny analogies and awful jokes I'thousand near to make nigh dearest in reference to this Red Camera overview. The door has been opened, and I'chiliad going to let the light shine in.

Red tin can largely be credited for inventing digital cinema. Prior to their entrance into the market, filmmakers similar George Lucas were admittedly happy to picture movies like the Star Wars prequels using Sony Hard disk drive cameras because it was all that they had available. Dice hards planted their anxiety in the basis and vowed to never shoot digitally – declaring that simply celluloid had the quality bachelor for the fine art of filmmaking.

When Cherry walked into the room, everyone'southward heads turned and attitudes near HD and film started to disappear. Suddenly a engineering we assumed was a generation abroad was sitting right in forepart of us and everyone was dying to go their easily on it.

Today, nosotros aren't wanting for selection anymore; there are so many cameras that followed in Cherry-red'due south footsteps. Only with so many fish in the sea, it warms my middle a footling that someone took the fourth dimension to write this love vocal to their old sweetheart.

Allow's look at the things that brand these Cherry cameras so great and so expensive compared to the competition in a picayune game of "He/She loves me not…".

The Resolution

From the beginning, Reddish has always been a loftier-resolution company. Most new computers tin't even play 8K footage, just Ruby has been making 8K cameras for the last five years.

That added bump in quality comes with a lot of advantages.

• Depression Light Capabilities
  • With so many pixels, you'll see an increase in low-calorie-free capability when you downsample the prototype to your final resolution for commitment.
  • The added noise from shooting in low-calorie-free is hidden when downsampling.
  • This is certainly true for downsampling, but an imager with fewer pixels and larger photosites can produce even better native resolution low-light images.
• Reframing in Post
  • When y'all film in 8K, y'all're filming at a resolution that is 16 times higher quality than Hd which offers you lot the ability to zoom in and reframe in postal service.
  • Though information technology is squeamish to have this ability, think nigh what you're losing when you lot give up this level of control equally a DP. Composition IS photography. If someone else is recomposing your shots afterward, you are no longer the Manager of Photography. Yous are merely a cameraperson.
• More Image Detail
  • Filming in 8K ways that each and every frame that you shoot is big plenty to be printed and displayed on a billboard along the highway without scaling!
  • Some professional photographers take used Red cameras to shoot high resolution still images for ad campaigns.

Filming In Raw

When filming with the Red, you lot can become back in post to adjust exposure and white balance meaning almost zippo is fix in stone until you've rendered the locked master of your projection.

Ok, lots of cameras can film in raw now but Crimson was the get-go camera to offer this ability for shooting video and that is actually kind of a negative. Red invented the compressed raw codec and has a very tightly held patent on the technology. This is why we don't meet a flood of cameras and phones that can shoot in ProRes Raw internally.

And although I'd honey to run across a camera with internal ProRes Raw recording, the lose of this patent would spell out a death rattle for Reddish and nobody wants that. They've been at this for xiii years, and their raw codec arguably offers the best file sizes, colour, quality, and latitude.

Variable Frame Rates

Though other cameras that have defenseless your centre might take had the power to shoot at high speeds, Carmine's cameras offer fully adjustable frame rates. This means that yous can film at any speed from 1 FPS to your camera's max FPS and every possible speed in between.

Equally Nick explains it, this feature can exist very useful in filming a music video. For performances, the song is often played at a slightly faster speed and the band pantomimes the operation to match the speed of the playback. When slowed down in post, this has an otherworldly consequence that makes the group really stand out and look like they're playing in slow motion.

Have a look at the Undone- The Sweater Vocal video past Weezer as a reference.

Since nearly cameras vary to a fixed 24, 60, 120, 240 FPS setting, they're too fast for the musicians to go on upwardly and that makes the effect look a fleck weird on peak of that.

Slow Move Capabilities

Cherry-red cameras have been well known for their ability to shoot in higher frame rates since the Ruddy One. Sony, Panasonic, and Canon are really but catching upwardly to Red with their higher frame rate capabilities because the quality of the tedious motion footage from whatsoever Red photographic camera is fantastic.

Unfortunately though sometimes with love there are compromises and higher frame rates on Ruby cameras have ever come up with an boosted sensor ingather which can be substantial. The image quality is still amazing, just you won't get 240 FPS with a Total Frame sensor read-out.

This isn't a deal-billow for me, though, and I call up seeing things in a 6K wide crop at 100fps might help me look by it.

Selectable Aspect Ratio

Instead of existence stuck in a xvi:9 or iv:3 world, you tin select whatever aspect ratio you'd like to picture in on this Carmine photographic camera and that'll be certain to assist with all those varying sized spider web deliverables for ads on Facebook, etc.

Carmine Colour Science

It is undeniable that Red cameras offer fantastic colors and there is too a lot of color information stored in its codec. For me, Catechism cameras are able to produce nicer skin tones and obviously, nobody can go close to ARRI'southward color, only there is just something about that Red look that is cute.

Dynamic Range

Since the inception of the Carmine One camera, Red has been known for having outstanding dynamic range. On about new Red cameras you can await about 16.5 stops of dynamic range and Crimson doesn't mess with the numbers like other manufacturers do.

In that location is some misconceptions nearly Red's HDRX abilities that I'd think are of import to mention. Reddish is able to capture such high dynamic range past literally capturing two nearly simultaneous exposures. This works well if the camera and subject are mostly stationary merely it can take a ghosting outcome when things are in motility.

High dynamic range doesn't mean you should surrender on shaping the low-cal in your scenes, or that y'all tin skip past NDing a brilliant window.

Pinch Ratios

In the Red ecosystem, you can film in raw and still accept file sizes that won't fill all of your hard drives. Red uses a compressed raw system so you can adjust the compression ratio from 2:one to 22:1. There are a lot of expert ratios in the mid-range that offering small-scale data rates and fantastic image quality.

You lot tin can not choose your compression ratio on a Catechism C200, for example, but on the BMPCC 4k/6k you take this same ability but the range of ratios is smaller and at that place are very noticeable differences in quality at higher ratios.

Modular Pattern

When you purchase a Red camera, yous buy the 'brain' of the camera and add the modules and accessories to build out the rig that best suits your needs. The expansion modules in the DSMC2 line allow you lot add features to your camera as yous need them rather than selling you an all-in-i that isn't upgradeable.

Some might this of this as a positive, but I actually see it as a negative and kind of a Red flag every bit love for Ruddy Digital Cinema goes. *pun intended.

Yes, it's modular and y'all can upgrade but the cost of those upgrades is often a lot higher than they would be from a camera that offers V-mount plates, or expanded points as a standard characteristic in the trunk. A fully configured Red camera tin can get astronomically expensive.

In-Camera Proxies

If you're filming in 8K, things tin can take a long time on the backend. Just transferring the files can take days depending on how much you're shooting, and that isn't factoring in all of the additional fourth dimension it you lot'll spend in post with your computer running sluggishly trying to keep up with all that data.

I always recommend that people create proxies for editing regardless of what you're shooting. It speeds up the editing time dramatically and makes it possible to work with editors remotely. What is fantastic about Red is that proxies tin can exist created in-photographic camera significant y'all can get right to editing while the total resolution media is backed up and candy on another auto.

Crimson isn't the only camera that can do this either. Information technology's besides a characteristic in the Canon C200 and a growing list of other cameras that are hitting the market.

If you're not editing in proxies, you lot should be. At that place is no reason to kill your computer when you're just sorting things out, and Resolve makes information technology easy to reconnect the high quality material at the end.

Conclusion

Red actually changed the perception of what a professional cinema photographic camera could do. People aren't shooting on flick anymore because of the advancements that they made as a company, but the contest is always hot on their heels and one-by-1 these features are finding their way into a new class of lower-cost cameras.

Something new may come up past that takes our attending away from Ruby-red one day, but you lot never forget your starting time love. If yous're thinking near purchasing a Red camera for your business concern, I say dive-in and see where love takes y'all.

Notwithstanding, if the cost is too loftier, get out and try to find a camera that incorporates as many of these and the other features that Red offers. Information technology might be hard to come by, and you might experience alone in a body of water of options but eventually the right camera will come along for you. Give love a adventure.

[source: Nick Sales]

B&H Lodge Links:

RED Digital Cameras

Source: https://www.4kshooters.net/2020/07/01/10-things-that-make-red-cameras-so-special/

Posted by: mooretaks1965.blogspot.com

Share this post